Showing posts with label forensics. Show all posts
Showing posts with label forensics. Show all posts

Thursday, March 1, 2012

Forensic Art and Illustration Review

Forensic Art and Illustration
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As an officer with the Texas Department of Public Safety's Special Crimes Service, I have seen firsthand how a competent, professional, forensic artist can make the difference between success or failure in an investigation. Karen Taylor, in particular, has been instrumental in putting countless violent criminals behind bars. Numerous police agenices, communities, investigators and crime victims owe Karen Taylor a tremendous debt of gratitude for her contributions to law enforcement; many other individuals as well, because swift apprehension of predators meant they never had to experience the pain of becoming a crime victim. Unfortunately, I have also seen the wasted time and effort and the counterproductive confusion that accompanies substandard or marginal forensic art attempts. Forensic Art & Illustration should be "the reference" that sets the standard for forensic artists. It is also imperative that investigators, police administrators and prosecutors read and digest every word of this book. These professionals need to be able to evaluate the credibility of individual police artists and the techniques they employ to ensure that serious criminal investigations are not compromised. Thank you Karen for giving them the means to understanding. The intense labor and meticulous research that went into writing this book is apparent from start to finish. Karen Taylor has handed down to us a career's worth of precious and priceless knowledge. Her next project should be an anthology of case studies!!

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As the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, offers readers the benefit of her extensive knowledge and experience. Forensic Art and Illustration is the first book to provide complete coverage of all aspects of the field, and includes much previously unavailable information.Beginning with the first-ever in-depth documentation of the history of forensic art, this book proceeds logically through explanations of facial anatomy, practical methodologies and techniques, case examples, and a glossary of terms. More than 700 illustrations and photographs depict art methods used in identifying and locating crime victims and criminal offenders. Numerous successful examples, taken from actual solved cases, demonstrate applications of the methods and techniques presented. Ideal for both forensic artists who want to improve their skills and those who work with them in law enforcement, Forensic Art and Illustration is a practical guide as well as a complete look at the state of the art of forensic illustration today.

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Saturday, December 17, 2011

The Police Composite Sketch Review

The Police Composite Sketch
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I would certainly recommend Stephen Mancusi's text, The Police Composite Sketch, to anyone interested in the process of artistically retrieving a face from memory for investigative purposes. Though not the first book solely devoted to composite sketching, it is the best one. As the title indicates, this is a work expressly about drawings from eyewitness descriptions, told from a position of "street smart" savvy by a veteran police officer. Other aspects of forensic art are mentioned only briefly.
This volume serves as a tangible representation of a highly successful career's worth of crime-fighting police composite art. Stephen's solid personal experience and proven results are visually demonstrated with extensive skillful facial drawing examples. The information shared, particularly drawing tips, should be useful to both novice and seasoned police artists. Much of the material is presented anecdotally through the re-telling of case studies, which are peppered with a wealth of insightful tips and suggestions.
In a time when research in cognitive psychology provides more and more valuable insight into eyewitness memory retrieval and face recognition issues, the personal accounts related here also underscore a fundamental truth. The basic tenets of art skill, anatomical knowledge and intuitive, sensitive interviewing techniques should not be underestimated in this complex process. Stephen's work clearly establishes that these remain root components of the facial composite-generating function that no software can ever fully replicate or replace. Users of composite software systems would be well-advised to learn the foundations put forth in this book.
Mancusi is to be commended for the compilation and painstaking documentation of this worthwhile body of work and particularly for sharing his understanding and acumen with future practitioners.'

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The police composite sketch, one of the most crucial investigative tools in law enforcement, is developed during a composite session-an intense display of communication and art in which the words of a witness are transformed into the features of a suspect. Despite the incredible technological leaps made in investigative work, the forensic science of composite sketching still relies on the basic elements of drawing skill, interpretive ability and the spoken word.The Police Composite Sketch is a comprehensive manual on how to conduct a complete composite session. Through an array of case studies, it details several disciplines that comprise this specialized forensic art, including composite sketching, image modification, age progression, facial comparison analysis, demonstrative evidence and postmortem/skull reconstruction. It also explores how to intuit insights that are often inadvertently revealed by witnesses, victims and perpetrators during the composite session. In addition, this book discusses other relevant topics, such as the three-stage drawing technique, witness and victim types, descriptive terminologies, managing composite sessions. Complete with numerous illustrations and drawing tips, this seminal work offers a general composite session philosophy and specific session strategies to both experienced and aspiring forensic artists as well as any lay reader intrigued by this fascinating skill.

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Monday, November 14, 2011

Forensic Digital Imaging and Photography Review

Forensic Digital Imaging and Photography
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This is a compact book (just 256 pages), for people who may need to get a general but complete idea of the matter.
And, as the matter is not that common, it's important to find in a single book so many arguments put together.
The step by step concept of the book allows beginners to start "thinking" as a forensic photographer.
The accompanying CD, with images and exercises, provides a basic and easy to understand introduction to the use of photographic elements used in legal / forensic investigations.
As a professional, I find this book too short and lacking in some details. Also, I think it's time for an updated / revised edition.

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