Showing posts with label art tutorial. Show all posts
Showing posts with label art tutorial. Show all posts

Thursday, March 1, 2012

Forensic Art and Illustration Review

Forensic Art and Illustration
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As an officer with the Texas Department of Public Safety's Special Crimes Service, I have seen firsthand how a competent, professional, forensic artist can make the difference between success or failure in an investigation. Karen Taylor, in particular, has been instrumental in putting countless violent criminals behind bars. Numerous police agenices, communities, investigators and crime victims owe Karen Taylor a tremendous debt of gratitude for her contributions to law enforcement; many other individuals as well, because swift apprehension of predators meant they never had to experience the pain of becoming a crime victim. Unfortunately, I have also seen the wasted time and effort and the counterproductive confusion that accompanies substandard or marginal forensic art attempts. Forensic Art & Illustration should be "the reference" that sets the standard for forensic artists. It is also imperative that investigators, police administrators and prosecutors read and digest every word of this book. These professionals need to be able to evaluate the credibility of individual police artists and the techniques they employ to ensure that serious criminal investigations are not compromised. Thank you Karen for giving them the means to understanding. The intense labor and meticulous research that went into writing this book is apparent from start to finish. Karen Taylor has handed down to us a career's worth of precious and priceless knowledge. Her next project should be an anthology of case studies!!

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As the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, offers readers the benefit of her extensive knowledge and experience. Forensic Art and Illustration is the first book to provide complete coverage of all aspects of the field, and includes much previously unavailable information.Beginning with the first-ever in-depth documentation of the history of forensic art, this book proceeds logically through explanations of facial anatomy, practical methodologies and techniques, case examples, and a glossary of terms. More than 700 illustrations and photographs depict art methods used in identifying and locating crime victims and criminal offenders. Numerous successful examples, taken from actual solved cases, demonstrate applications of the methods and techniques presented. Ideal for both forensic artists who want to improve their skills and those who work with them in law enforcement, Forensic Art and Illustration is a practical guide as well as a complete look at the state of the art of forensic illustration today.

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Saturday, December 24, 2011

Forensic Facial Reconstruction Review

Forensic Facial Reconstruction
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During my vacation I had time to read this book, and I was fascinated with the field of facial reconstruction. The first chapters give a good overview of the human face with some background of facial recognition and the history of facial reconstruction.
Then the relation between the hard and soft tissues of the face are discussed,, with the general face shape, nose, eyes, mouth, chin and ears and some measures of variation are given. This book also handles the accuracy of facial reconstruction with some nice examples from real cases. The book ends with juvenile facial reconstruction which is difficult (however one case in the Netherlands was solved with this method). Some people say that the facial reconstructions do not really have to reflect all of the face, and that people might become aware by showing a face that they are missing someone they know very well.

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This book's major contributions include a detailed description of the Manchester method of facial reconstruction, using all the available published data on tissue depths and variation with age, sex, stature and ethnic origin.Caroline Wilkinson also includes an evaluation of the methods and problems associated with reconstructing the faces of children.Forensic facial reconstruction reproduces an individual's face from skeletal remains. Used when identification is otherwise impossible, it can give a name to the dead in forensic cases, or in archaeological contexts, provide a tangible impression of real individuals from our past.

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