Saturday, July 28, 2012

Reiki: The Essential Guide to the Ancient Healing Art Review

Reiki: The Essential Guide to the Ancient Healing Art
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The information in this book is absolutely fantastic. It has 14 chapters which cover: 1) What is Reiki?, 2) The History of the Usui System of Reiki, 3) How Reiki differs from other healing methods, 4) Reiki for personal healing, 5) Reiki Treatments, 6) Combining Reiki with other methods of healing, 7) Other ways of using Reiki, 8) Reiki with chronic illness, 9) Reiki for self-development and spiritual growth, 10) The First Degree class, 11) The Second Degree class, 12) The Third Degree or Master's Training, 13) How to find a Reiki Master 14) Becoming a Reiki Practitioner.
My favorite parts of this book is the best quality and largest photo of Dr. Usui which gives true meaning to the saying "A picture is worth a thousand words." The section about when not to use Reiki (don't give after a pre-operative anaesthetic has been administered or during an operation. And much more info I'll need to know as a nurse.) Also, I learned "If a person is suffering from a particularly severe complaint, it might be wiser to avoid the problem area completely for the time being, allowing the energy to flow through from the other areas and reabalance the system in that way." Unfortunately I learned this after the fact of touching the upper arm of my pastor who had rotator cuff surgery. I had to stop because he was so tense me getting anywhere near his shoulder. Also I should have asked first if I could do Reiki which I also learned in this book. There is just a world of information inside! My very favorite part I will write out as it is only a paragraph on page 72 but I've used it and it is so powerful I can hardly believe it!
"Using Reiki to Balance the Chakras: Sitting in a chair, place one hand on the forehead and one on the back of the neck. Then place both hands on the shoulders. After this, place one hand on the chest and one on the back. Next, place one hand on the solar plexus and one hand on the corresponding position on the back. Finally place one hand on the abdomen and one hand on the tailbone. This short treatment will balance the chakras effectively."
Note: I did this exercise [above] as a first level healer and it worked just as strong as where I am now at second level! It really works! Try it after having/viewing an attunement. A good attunement dvd I recommend is the Reiki: First level attunement by Steve Murray offered here at Amazon. o8E
Soar!

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Reiki is a Japanese word meaning Universal Life Force Energy. Drawing on ancient practices, Reiki balances the energy in the body, renewing vitality and bringing about a powerful feeling of serenity and relaxation through the laying on of hands. Reiki can be used to relieve the problems associated with stress, tension, chronic illness and post-operative pain. In this revised and updated edition, Chris and Penny Parkes explain what to expect from a treatment, how it works and how it can be of benefit—and even show how you too can train to practice Reiki.

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Friday, July 27, 2012

Informed Touch: A Clinician's Guide to Evaluation and Treatment of Myofascial Disorders Review

Informed Touch: A Clinician's Guide to Evaluation and Treatment of Myofascial Disorders
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I am a massage therapist, who does deep tissue, sports and medical massage. I find this book to be a great guide. It is not as complete as the Janet Travell manuels, but it covers the main points of pain.

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A clinical reference manual for the evaluation and treatment of muscle pain.
' Detailed color illustrations of pain patterns and trigger-point locations.

' First accessible reference manual for acupuncturists, chiropractors, osteopaths, and physical, occupational, and massage therapists.

In this easy-to-use guide to the treatment of muscle pain, medical educators Steven and Donna Finando present evaluation and palpation techniques for reducing trigger points--and thereby alleviating pain--in the most clinically significant musculature of the body. A "user's manual" for health care practitioners, Informed Touch examines a wide range of pain patterns and their treatment. Introductory chapters include discussion of the oriental medicine concept of Qi and its relationship to myology, information on trigger point location and activation, and palpatory skill-building techniques. Detailed information on each muscle, including pain-pattern and trigger-point illustrations and specific palpation instructions, allows clinicians to locate specific areas quickly and accurately. A visual index, showing reduced versions of the pain-pattern illustrations, makes it easy for clinicians to identify the muscles that may be involved in a patient's complaint. Informed Touch answers the reference needs of the growing community of physical and occupational therapists, acupuncturists, chiropractors, osteopaths, and massage therapists.


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Gastrointestinal Oncology Review

Gastrointestinal Oncology
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I am a gastroenterologist practicing in Japan. In this country, the specific book such as "Gastrointestinal Oncology" is very rare. This book is very well written in the field of gastrointestinal cancer. I had learned and enjoyed it. The shortcoming is the references are a little bit old. I'm looking forward to the revised edition.

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Thursday, July 26, 2012

Biomechanics: Principles and Applications, Second Edition Review

Biomechanics: Principles and Applications, Second Edition
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Compiled and co-edited by Donald R. Peterson (University of Connecticut Health Center, Biodynamics Laboratory, farming, Connecticut) and Joseph D. Bronzino (recipient of the Millennium Award from IEEE/EMBS in 2000 and the Gaddard Award from Worcester Polytechnic Institute for Professional Achievement in June 2004), "Biomechanics: Principles And Applications" is a collection of twenty informed and informative articles on various aspects of, and researches into, the science of biomechanics. The contributors address everything from applications on system-level aspects of the human body (the musculoskeletal system, auditory system, lymphatic system, the cardiovascular system), to biological sub-systems (tissues, cells, molecules). Drawn from the third edition of the "Biomedical Engineering Handbook", these seminal articles introduce current methods and strategies for modeling cellular mechanices, present topics in biofluid mechanics, feature more than 140 illustrations and 60 tables, and provide a number of useful equations to assist in modeling biomechanical behaviors. A volume of truly impressive scholarship, "Biomechanics: Principles And Applications" should be a core acquisition selection for every academic library reference collection on the subject, as well as on the supplemental reading lists for students of Biomechanical Engineering.

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Traditionally, applications of biomechanics will model system-level aspects of the human body. As a result, the majority of technological progress to date appears in system-level device development. More recently, biomechanical initiatives are investigating biological sub-systems such as tissues, cells, and molecules. Fueled by advances in experimental methods and instrumentation, these initiatives, in turn, directly drive the development of biological nano- and microtechnologies.
A complete, concise reference, Biomechanics integrates coverage of system and sub-system models, to enhance overall understanding of human function and performance and open the way for new discoveries. Drawn from the third edition of the widely acclaimed and bestsellingThe Biomedical Engineering Handbook, this is a comprehensive, state-of-the-science resource concerning the principles and applications of biomechanics at every level. The book presents substantial updates and revisions from the Handbook's previous editions, as well as an entirely new chapter introducing current methods and strategies for modeling cellular mechanics. Organized in a systematic manner, the book begins with coverage of musculoskeletal mechanics including hard- and soft tissue and joint mechanics and their applications to human function. Contributions explore several aspects of biofluid mechanics and cover a wide range of circulatory dynamics such as blood vessel and blood cell mechanics and transport.
Other topics include the mechanical functions and significance of the human ear and the performance characteristics of the human body during exercise and exertion. The book contains more than 140 illustrations, 60 tables, and a variety of useful equations to assist in modeling biomechanical behaviors. Incorporating material across the breadth of the field, Biomechanics is a complete, concise reference for the skilled professional as well as an introduction to the novice or student of biomedical engineering.

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Coarticulation: Theory, Data and Techniques (Cambridge Studies in Speech Science and Communication) Review

Coarticulation: Theory, Data and Techniques (Cambridge Studies in Speech Science and Communication)
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Because this is a collection of papers by different authors, quality and style vary from chapter to chapter, but there are few wasted words, and hardly a sentence without a kernel idea worth taking the time to understand. On the other hand, it is a difficult and demanding book to read cover to cover, and most readers will probably prefer to focus on areas of particular personal interest rather than tackling the whole volume at one go.
Chapter 1, entitled "The origin of coarticulation", discusses what causes coarticulation, a history of the investigation of coarticulation, and how coarticulation develops in children¡¦s speech. A series of coarticulatory models is reviewed, including Lindblom's 'target undershoot' model of the 1960s (p. 16), Oehman's observation that two vowels interact with each other across intervening stops (p. 17), Wickelgren's idea that we store not phonemes in our brains but collections of context-sensitive allophones (p. 18), up to Keating's 'window' model of the 1980s (p. 21), in which every feature of a segment is associated with a range of values rather than an absolute target.
Part II is entitled "Research results: components of the motor system for speech". Each chapter features a key articulatory organ or organ complex: the velopharyngeal complex, the tongue, the larynx, the lips, and the lips and jaws.
Part III provides a home, under the catch-all classification of "Wider perspectives", for two chapters that did not quite fit elsewhere, "Cross-language studies on articulation" and "Implications for phonological theory".
The chapters of part IV, "Instrumental Techniques", report on the state of the art of various specialized methods and instruments for performing articulatory and acoustic measurements. The methods presented are: palatography, X-ray, computed tomography (CT), magnetic resonance imaging (MRI), ultrasound, electromagnetic articulography (EMMA), electromyography, transducers for investigating velopharyngeal function (including aerometry, electromyography, various acoustic methods, radiography, endoscopy, photodetection, various mechanical devices, ultrasound, MRI, and EMMA), and techniques for investigating laryngeal articulation (including fibreoptic endoscopy, transillumination, electromyography, pulse-echo ultrasound, acoustic analysis with inverse filtering, glottography, and the Sondhi tube).
The final chapter of the book addresses use of the spectrograph and other acoustic tools in studying coarticulatory phenomena. This chapter gives examples of how to do acoustic analysis of formant transitions, the stable portion of a vowel, stop release, fricative noise, nasals, liquids and glides, voicing and tone, and duration and intensity. This is a laudable beginning, but there is room for much more to be done in this area.
While this book is overall very tight in structure and rich in content, it is not by any means the do-all, end-all work on coarticulation. There are a number of areas not covered in this book that I would like to have seen, and hope to see in future works, such as: what really happens between *words* in running discourse?
This book is a good beginning of more serious and concentrated work on coarticulatory phenomena than has previously been seen. Hopefully many more such studies will follow.

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Coarticulation means the overlapping gestures that occur during the pronunciation of any sequence of speech sounds. This topic in the science of phonetics provides a challenge to speech production theory as well as to various projects in the field of speech technology, including that of building a natural sounding speech synthesizer. The eighteen chapters in this book cover the experimental techniques used for investigating the phenomenon, the experimental findings to date, and the theoretical background.

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Wednesday, July 25, 2012

Fat History: Bodies and Beauty in the Modern West Review

Fat History: Bodies and Beauty in the Modern West
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There are very few books on the history of our cultural obsession with weight and/or with "weight bigotry" in the U.S. When did it start? Why? How did it get so vehement? So an attempt at perspective is definitely welcome.
Stearns reports that before the 1890s, plumpness was preferred, and signals began to change only as fashions, fat-control devices, and increased public comment on fat began to emerge in the decade prior to 1900.
After that, the trend grew and intensified over an entire century. Stearns sees this growing obsession as a "compensation" for our indulgence in other pleasures about which we are ambivalent--consumerism, sex, women's freedom. As long as we demonstrate strict discipline about our body size as a kind of puritanical guilt-laden compensation, we can allow ourselves these other indulgent, consumerist pleasures.

Stearns likens the vehemence of fat hatred to Calvinism: only the elect (thin) are "saved," glorified through "salvation" stories of heroic weight loss, and rewarded with welcome entry to the cultural pleasures now available. Those who fail or refuse to measure up to the strict standards of slenderness are punished by being relegated to "fat hell" where open season--in the form of attacks and endless analyses of moral failings, character flaws, and psychological weaknesses--is allowed, imprisoning the recalcitrants in the consequences of their supposedly deplorable lack of self-discipline. Clothes, love, and the good life are not to be theirs.
By way of contrast, the French, who have equally strict standards of slenderness, are committed not to compensation for other pleasures but to high aesthetic standards of beauty. In France, fat is not an indication of moral or psychological weakness but is simply an offense against beauty--fat is just ugly. Divergence from the norm is not considered blameworthy but is assumed to be remedied fairly easily with a little restraint and maybe some reducing creams. With a little work, no one *need* be ugly. It is, therefore, the personal responsibility of each individual to make those moderate efforts and meet the beauty standards amidst an environment of reminders and encouragement.
The result? Both patterns are oppressive, unrelenting, and rigid, but the French are 14 pounds lighter on average and weight in France has been declining rather than increasing.
Stearns does not see that historical French patterns or approaches can be adopted in the U.S. However, he notes that merely recognizing another, different pattern opens the door for reconsideration of U.S. attitudes. Those attitudes were shaped over a century; they can also be reshaped.
Stearns believes that we place too much responsibility on individuals for what are, essentially, social issues. To require everyone to immerse themselves in personal battles against weight while indulgence and excess in all other areas remains unaddressed in the public arena seems not only unfair but unbalanced. Basically, Stearns hopes we will lighten up a little on individual weight issues and look more seriously at larger cultural indulgences.
Simply for the effort to bring historical perspective to the issue, the book gets four stars. But it is sometimes a frustrating read. It is fraught with equivocations and reminders that many factors are at play, all of which preclude crispness. It is not until the very end that clarity begins to emerge from the discussion.
And finally, it describes the scene without benefit of factors that could, conceivably, change all the rules and the analysis as it relates to new trends. If, as research is increasingly showing, fat and related major diseases are common in cultures based on animal-based diets and uncommon in cultures based on plant-based diets, the emphasis shifts from "how much" one is eating to "what" one is eating; from "restraint" to "plenty" without weight gain.
Such a major shift in our understanding of food, nutrition, disease, body weight, and nutrition medicine would shift blame from individuals to a diet that we thought served us but in fact did not. This would chart a very different course--and analysis--for the new century.

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Lawyers on Trial: Understanding Ethical Misconduct Review

Lawyers on Trial: Understanding Ethical Misconduct
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This is a major and independent examination of attorney ethics and enforcement. It should be part of the curriculum of law school legal responsibility courses, and is also interesting enough for lay readers. Abel lives up to his name, and has an important contribution to the field here.


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Lawyer misconduct affects many people: clients, adversaries, opposing counsel, judges, the legal profession, and society at large. The records of disciplinary proceedings offer a penetrating, and largely ignored, perspective on how lawyers misbehave. Because the lawyers' professional lives are at stake, the factual records are extraordinarily detailed and the lawyers surprisingly open about their motivations and justifications.In Lawyers on Trial, Richard L. Abel presents the stories of ten California lawyers who broke the rules: hiring an ex-cop to chase ambulances, flouting fee limitations in medical malpractice cases, creating a fictitious company and impersonating non-existent people in order to appropriate Sega's computer games, a former California Real Estate Commissioner defrauding developers and financiers, helping a represented co-defendant negotiate a plea without his lawyer's participation or knowledge, and defying a judge's sealing order and his own client's wishes for closure in order to champion the "defenseless" and "oppressed" and protect "widows and children." The book begins by showing how nearly a century of political struggle over self-regulation shapes the way the disciplinary system selects and processes cases and concludes by canvassing reforms that could improve the performance of the legal profession.Lawyers on Trial will be invaluable for those contemplating law school, law students and teachers of professional responsibility, continuing legal education classes, lawyers encountering ethical dilemmas in their practice or trying to understand misbehaving colleagues, members of the public thinking of retaining a lawyer, and clients dealing with their own lawyers.

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Tuesday, July 24, 2012

Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers Review

Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers
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Plants Of The Gods is a comprehensive reference work on psychoactive plants. It provides a definition of plant hallucinogens and information on phytochemical research on sacred plants, geography of usage and botanical range, the chemical structures of these substances and the use of hallucinogens in medicine.
The plant species discussed include the Amanita (Fly Agaric) mushroom, Atropa (Deadly Nightshade), Yellow and Black Henbane, Mandrake, Cannabis Ergot, Datura, Iboga, Yopo beans, Ayahuasca, Yage, Brugmansia, Peyote, the San Pedro cactus, the Morning Glory plus what the authors term "the little flowers of the gods" which include the various types of Psilocybe mushroom.
The text is enhanced by a wonderful variety of color and black & white photographs, illustrations and quite impressive paintings. The section Overview Of Plant Use consists of tables listing every plant's common name, botanical name, historical ethnography, context and purpose of usage, preparation and the chemical composition and effects.
Plants Of The Gods is a great and detailed investigation of entheogenic plants from around the world. This valuable reference book concludes with a bibliography and index.

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World-renowned anthropologist and ethnopharmacologist Christian Ratsch provides the latest scientific updates to this classic work on psychoactive flora by two eminent researchers.
' Numerous new and rare color photographs complement the completely revised and updated text.

' Explores the uses of hallucinogenic plants in shamanic rituals throughout the world.

' Cross-referenced by plant, illness, preparation, season of collection, and chemical constituents.

' First edition sold 33,000 copies.

Three scientific titans join forces to completely revise the classic text on the ritual uses of psychoactive plants. They provide a fascinating testimony of these "plants of the gods," tracing their uses throughout the world and their significance in shaping culture and history. In the traditions of every culture, plants have been highly valued for their nourishing, healing, and transformative properties. The most powerful of those plants, which are known to transport the human mind into other dimensions of consciousness, have always been regarded as sacred. The authors detail the uses of hallucinogens in sacred shamanic rites while providing lucid explanations of the biochemistry of these plants and the cultural prayers, songs, and dances associated with them. The text is lavishly illustrated with 400 rare photographs of plants, people, ceremonies, and art related to the ritual use of the world's sacred psychoactive flora.


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Stagestruck: Theater, AIDS, and the Marketing of Gay America Review

Stagestruck: Theater, AIDS, and the Marketing of Gay America
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I often read a book and then, once I've seen the author read from his own stuff, had to go back and read it again with a different tone of voice. That applies to this book. It's much funnier and rueful than I realize the first time.
It's also not recommended unless you have a dark sense of humor, and understand that it's not about Rent or Broadway really, but about some of the subtle ways that history gets revised by the winners. It's a brilliant book and I often had those moments of recognition where I got goose bumps reading a paragraph. Then I would laugh at the next paragraph.
I think that people who read this ONLY because they are fans of Rent will be mystified or offended. Rent is a moving show, but it IS sort of odd for urban gays - it's kind of like reading a Hitler biography devoted solely to his being a wonderful father and compassionate family man. . . It may be true, but you have to scratch your head and wonder how the author managed to completely avoid mentioning the holocaust even once in 1000 pages, and just what was his agenda in doing so.
It is clear that Ms. Schulman's book was completely stolen by Larson. However! As she points out, the theft of the plot is not really a problem, cause plot borrowing and character theft is common practice; what she regards as the sore spot is that, in stealing those elements, Larson inadvertently did the same thing that bigots and the media often deliberately do to gays and lesbians: in the same way that the winning side of a war gets to decide what version of the war goes down in history as the TRUE version, Jonathan Larson's made-up version of the AIDS epidemic will be written on most people's hearts as the true version, when in reality it is a powerful distortion of who and what actually happened - unfortunately wrapped in some excellent theater so it is more likely to burn into people's brains as the truth.
I didn't expect so much humor from a book that makes those sorts of points. I laughed repeatedly when reading this book, starting with the introduction.
Also, as I've come to expect with her books, Ms. Schulman manages to find the words to explain things I've always sensed but not been able to articulate. The section on marketing to gays (who, as she puts it, are still struggling with post-traumatic stress as a result of being raised in this society) was brilliant, and funny. An instance where she really stopped me in my tracks: when she compared gays and lesbians to a older relative of hers who was freed from a Nazi concentration camp and shortly afterwards had a small breakdown when trying to choose what color drinking glass to buy from a shelf of glassware that came in too many colors, sizes and shapes.
My advice to potential readers: Schulman is more like Sondheim than the Sound of Music. If you're a Broadway boy with a good heart and not much critical faculty, don't read it and you'll live happy. If you're a Broadway fan with a brain, you'll find it's not really about Broadway but rather an interesting tap dance on the subject of how things get twisted around. If you've got a political sensibility of any type, and maybe you're much older and wiser -- and you read the book with a tone of voice that's rueful and ironic much more than just angry, you'll love it. It brings out all the humor, which appears on every page, and makes me laugh even in public places.
People in Trouble were not one of my favorite novels of hers, but having read stage-struck, I now enjoyed it much more. Empathy is her funniest novel, but most experimental, and Rat Bohemia a truly angry ranting novel (and I mean it in the best Victor Hugo-if-he-were-a women sense of the word).
I'd recommend Shimmer as a more 'traditional' linear story line sort of novel - it's quite beautiful. I give this book 4 stars not because it's not wonderful, but because I liked Empathy better and so needed to keep one star extra if I ever review that book online. :-)

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Monday, July 23, 2012

The Eye and Visual Optical Instruments Review

The Eye and Visual Optical Instruments
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I am a researcher in the field of visual optics. I first obtained a copy of this book nearly 5 years ago, when I was a lecturer at the University of Auckland. I thought the book was excellent then and the subsequent passage of time has reinforced my view.
I refer to my copy constantly. When I am dealing with a new and complicated topic as part of my work my first instinct is to check if Smith and Atchison have anything to say on the topic, and I'm usually rewarded. They nearly always provide good introductory material and analytical tools. The book contains very basic level material which is suitable for undergraduates in the area of clinical optics and develops these concepts to postgrad and research levels.
The section on aberrations is extremely useful, although it does not use the Zernike polynomials that have become popular in the last few years, it has still allowed me to do useful analysis of my data. I have also found the sections on optical quality calculations extremely useful, and the appendices on schematic eyes are the most complete I've come across in the literature.
I look forward to many subsequent editions of this text. An excellent book for researchers and students.

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A wide variety of optical instruments exists in which the human eye forms an integral part of the system. This book provides a detailed description of the visual ergonomics of such instruments. The book begins with a section on image formation and basic optical components. The authors then discuss various optical instruments that can be adequately described using geometrical optics, and follow this with a section on diffraction and interference, and the instruments based on these effects. There are separate sections devoted to ophthalmic instruments and aberration theory, with a final section covering visual ergonomics in depth. Containing many problems and solutions, this book will be of great use to undergraduate and graduate students of optometry, optical design, optical engineering, and visual science, and to professionals working in these and related fields.

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Cognitive Behaviour Therapy For People With Cancer Review

Cognitive Behaviour Therapy For People With Cancer
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The book has been well written, particularly a clear presentation upon essential concepts about CBT. The application to cancer is also well discussed. This book can serve a very good start for any therapist hoping to apply CBT to cancer, and also give some insights about pondering how we can help people in terminal illness. Please don't miss it !

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Cognitive Behavior Therapy (CBT) has established itself as the psychological treatment of choice for many conditions. It offers a brief, convincing, commonsense approach to the emotional problems faced by people with cancer, and there is considerable evidence for its effectiveness. Since the first edition of this book in 1989 (published as Psychological Therapy for Patients with Cancer) there have been many developments in cognitive therapy and psycho-oncology which have been incorporated in the new edition.The current evidence for the effect of psychological state on survival and the efficacy of CBT in cancer is reviewed.Using a cognitive behavioural model to understand reactions to cancer, the authors present cognitive, behavioural, emotional and interpersonal interventions to help people adjust to the threat to their life and their view of themselves.Case examles illustrate how these techniques are used to reduce anxiety and depression, induce a fighting spirit, teach effective coping skills and develop open communication between patients and their partners. Mental health professionals working in oncologu and health care professionals interested in psychological management will find this a useful source for psychological techniques that can be applied in a busy clinical setting.

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Sunday, July 22, 2012

Language in the Brain Review

Language in the Brain
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Language and the Brain demonstrates that locating the organization of language in narrow areas of the brain's cortex is wrong. Language isn't merely articulation and hearing of sounds. Organization of meaning, understanding, cognition, feeling and reasonable action are particularly important especially concerning the understanding of other people's feeling and knowledge.
The book emphasizes the contrast of neural and formal structure analysis. According to Helmut Schnelle as a consequence, interdisciplinary research cannot be avoided.

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Linguistics, neurocognition, and phenomenological psychology are fundamentally different fields of research. Helmut Schnelle provides an interdisciplinary understanding of a new integrated field in which linguists can be competent in neurocognition and neuroscientists in structure linguistics. Consequently the first part of the book is a systematic introduction to the function of the form and meaning-organising brain component - with the essential core elements being perceptions, actions, attention, emotion and feeling. Their descriptions provide foundations for experiences based on semantics and pragmatics. The second part is addressed to non-linguists and presents the structural foundations of currently established linguistic frameworks. This book should be serious reading for anyone interested in a comprehensive understanding of language, in which evolution, functional organisation and hierarchies are explained by reference to brain architecture and dynamics.

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Creative Interventions with Traumatized Children Review

Creative Interventions with Traumatized Children
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I am pleased with the book in that it is thorough in it's discussion of trauma and the artistic interventions that can benefit those who suffer from it. I was hoping that the book would be more of an overview of creative ideas and how to apply them, rather than a discussion of why to use interventions involving creativity. However, it is still a valuable resource.

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Rich with case material and artwork samples, this volume demonstrates a range of creative approaches for facilitating children's emotional reparation and recovery from trauma. Contributors include experienced practitioners of play, art, music, movement and drama therapies, bibliotherapy, and integrative therapies, who describe step-by-step strategies for working with individual children, families, and groups. The case-based format makes the book especially practical and user-friendly. Specific types of stressful experiences addressed include parental loss, child abuse, accidents, family violence, bullying, and mass trauma. Broader approaches to promoting resilience and preventing posttraumatic problems in children at risk are also presented.


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Saturday, July 21, 2012

Handbook of Art Therapy Review

Handbook of Art Therapy
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As a recent counseling graduate (PhD), I was always put off by the art therapy books on the market. They were all so poorly written and talked about antiquated theories of counseling and therapy. Now, finally there is a wonderfully readable text and I am glad to have found it as I begin work with clients. This book is for anyone who is interested in using art in their work with adults, children, adolescents, and groups-- there are helpful chapters on trauma, medical issues, autism, ADHD, etc. There are also sections on art therapy assessments that are very well written and concise.
This is the state-of-the-art art therapy book for your counseling, psychology, or art therapy library. Also, if you are a beginner, see Malchiodi's Art Therapy Sourcebook, another readable volume.

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This essential handbook provides a complete and practical overview of art therapy: how it works, how it can be used, and with whom. Demonstrated are interventions for children, adolescents, and adults facing a variety of clinical problems and life challenges. Case-based chapters from leading practitioners illuminate major theoretical perspectives, including psychoanalytic, cognitive-behavioral, developmental, and other approaches. Also examined is what current research in psychology and neuroscience can tell us about the scientific basis for art therapy. Discussing applications in individual psychotherapy, couple and family treatment, and group work, the Handbook includes over 100 samples of drawings and other artwork. The process of art therapy is illustrated in helping clients manage and cope with such problems as trauma, sexual abuse, developmental and learning disabilities, drug and alcohol misuse, serious mental illness, and medical illness. Appendices include descriptions of empirically supported approaches to art-based assessment, some of which are written by the instrument developers themselves.

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Silk Stocking Mats: Hooked Mats of the Grenfell Mission Review

Silk Stocking Mats: Hooked Mats of the Grenfell Mission
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Just fabulous! Laverty captures magnificent detail and sparks contagious enthusiasm, complimented with both text and rich photos. Her obvious passion for these significantly historic mats is genuinely intoxicating. The reader cannot help but delve into this fantastic and long awaited book! A "must have" for every hooker!

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Beginning in 1928, the Grenfell Mission sent out a call to socialites: 'When your stockings run, let them run to Labrador!' The creative recycling of tattered stockings, dyed in soft hues, is just one of many innovations that made Grenfell hooked mats highly collectible folk art. In "Silk Stocking Mats," Paula Laverty chronicles the development of a local craft into an art form. For generations, Newfoundland women had augmented their family's unreliable fishing income with a 'matting season' in February and March. Through the Grenfell Mission's Industrial Department, set up in 1909 to help develop cottage industries, the mat industry became an increasingly important source of income reaching peak production in the late 1920s and early 1930s when the women's mats became renowned for their strong design, meticulous craftsmanship, and distinctive northern images chronicling life in the north. Reindeer, sled dog teams, polar bears, schooners, outports, and florals are but a few of the mat designs."Silk Stocking Mats" is the result of over seventeen years of exhaustive research and draws on personal interviews with older women who recall their hooking days, the study of hundreds of archival documents, and careful examination of countless Grenfell hooked mats. Laverty's book is beautifully illustrated with photographs and descriptions including rare and unusual as well as common mat designs.

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Friday, July 20, 2012

Maternal Effects As Adaptations Review

Maternal Effects As Adaptations
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A momentus conceptually driven volume packed with profound works from the undisputed leaders in this groundbreaking area of research.
The chapter authors and volume editors must have all had very special mothers...

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Mothers have the ability to profoundly affect the quality of their offspring--from the size and quality of their eggs to where, when, and how eggs and young are placed, and from providing for and protecting developing young to choosing a mate. In many instances, these maternal effects may be the single most important contributor to variation in offspring fitness. This book explores the wide variety of maternal effects that have evolved in plants and animals as mechanisms of adaptation to temporally and spatially heterogeneous environments. Topics range from the evolutionary implications of maternal effects to the assessment and measurement of maternal effects. Four detailed case studies are also included. This book represents the first synthesis of the current state of knowledge concerning the evolution of maternal effects and their adaptive significance.

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Atlas of Human Anatomy for the Artist (Galaxy Books) Review

Atlas of Human Anatomy for the Artist (Galaxy Books)
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Copyright 1951? Wow, what a stimulating discovery, and what fun! Besides the skeletal and musculature illustrations, "Atlas of Human Anatomy for the Artist" is full of Peck's own drawings of basic anatomical features. These are not just the "final" drawings, like the master prints in Hale, but the beginning "rough sketches". I find this delightful because every beginner needs some inspirational guidance in drawing's first steps. A simple rough sketch of a nose, with shading; or bones drawn as a simple hinge joint, an arm or leg.... Peck's general reduction of the human figure to basic shapes is of inestimable help. The reader may just find himself saying, "Hey, I can do THAT!!!" And that is the wonderful thing about PECK's book.
Peck has impeccable credentials and must be compared to Robert Beverly Hale. Peck's is not merely an alternate duplication of the same material Hale covers. There is a 'personal' touch in Peck; but the problem with any/all anatomy books, for beginners, is that they are simply intimidating, in their detail, their precision, their absolute realism. PECK overcomes this anatomical intimidation. I would venture that PECK ought to be included in at least the first several "drawing" books that one acquires. Sometimes it seems that several pages offer more practical instruction to a new student than entire chapters in the books coming out in recent years with gimmicky titles.
"Atlas of Human Anatomy for the Artist," in combination with any beginning book on figure drawing is a must. With Famous Artist's School, Willy Pogany, Walt Reed, Jack Hamm, Viktor Perard and similar instruction, any ...................
book-buyer / beginning artist will find themselves advancing steadily. I rate this in the top 4 of figure drawing books for the beginner.
The chapter on "Distinctions of Age, Sex, And Race" is highly useful. PECK may be in danger of getting shoved aside with time and the publication of new pablum texts containing nothing new or vital; but PECK has written a timeless text that commands respect. CARPE DIEM [Seize the day!] I rate this book a very deserved 5 stars*

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Stephen Rogers Peck's Atlas of Human Anatomy for the Artist remains unsurpassed as a manual for students. It includes sections on bones, muscles, surface anatomy, proportion, equilibrium, and locomotion. Other unique features are sections on the types of human physique, anatomy from birth to old age, an orientation on racial anatomy, and an analysis of facial expressions. The wealth of information offered by the Atlas ensures its place as a classic for the study of the human form.

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